……. and was blown away! First time since 2006 when ticket prices were pretty much a bar tab, prices for this gig cost us $200.00 for both Viv & I and it was worth every penny. The set list pretty much followed what he is seen playing on his most recent blu-ray, “Live from Beacon Theater” (another ho-hummer, IMHO) with a few welcome journeys into some of the older stuff. One real treat of the evening was when he suddenly went into Blues Deluxe and just ripped it! Another real treat was when he and Carmine Rojas would get together and play some real firey improv stuff that reminded me allot of the Cream tune “Spoonful” off the Wheels of Fire “Live at the Fillmore” disc. Oh, did I mention that Carmine was on fire too?
I know we’ve all bemoaned the fact that Joe is no longer playing with the youthful inspiration and intensity found on his Ft. Wayne DVD but I will dare to say that the way he was playing here in Reno was as good if not better as he was REALLY playing from the heart. Countless standing ovations and there were a couple of times when the crowd was actually yelling and screaming during his performance, something not seen since his “Heartaches were Nickles” rendition from that forementioned Ft. Wayne DVD.
Joe is BACK!!!!…….. bigtime and if you have a chance to check him out on this tour, I think you too will be pleasantly shocked and surprised.
There is a Career For You in Self-Help Publishing!
It’s just a matter of knowing how to plan your series of books.
Yes, a series. Many wannabe Self-Help Writers don’t realize this, but people who need help need lots of help. One book would simply never do. So you, the writer, must be willing to really put forth the effort to provide them all the help they need.
The following text was borrowed from a post that appeared on Joe Bonamassa’s forum:
Eric Clapton’s speech inducting THE BAND in to the Hall of fame:
“Thank you. I want to talk about what it was like to be a musician – a serious musician who couldn’t be in the Band. And that was tough, that was hard. I remember being on tour in about ’66 or ’67 with a band called the Cream, and we thought we were the bee’s knees, you know? And I met this guy… I knew this man in L.A. who was an entrepreneur of different sorts of things, and he had a tape by a band called the Crackers, and he lent it to me, and I took it on the road with me, and it became my drug. When we would get to the end of a gig, Jack and Ginger would go off and do their stuff, and I’d put this tape on. And I’d go into another world. And it was my kind of release.
For someone like me, who had been born in England, like Elton was talking about, and worshiped the music from America, it was very tough to find a place to belong in all this – and this band that I was listening to on this tape had it all. They were white, but they seemed to have derived all they could from black music, and they combined it to make a beautiful hybrid. And for me it was serious. It was serious, and it was grown up, and it was mature, and it told stories, and it had beautiful harmonies, fantastic singing, beautiful musicianship without any virtuosity. Just economy and beauty. And I wanted to be in the band.
So I went and told Jack and Ginger that I couldn’t go on anymore. There was something else happening that I had to bow out of because. And I went – Robbie and the boys will never know this – but I went to visit the Band in Woodstock, and I really sort of went there to ask if I could join the band. I mean, I didn’t have the guts to say it – I didn’t have the nerve. I just sort of sat there and watched these guys work. And I remember Robbie saying, “We don’t jam. We don’t jam, so there’s no point in sitting here and trying to, you know… We just write and work.” And I was very impressed, you know? And from that day, I spent the rest of my career – until The Last Waltz, anyway – trying to find ways to imitate what they had. And it was an impossible dream, really, because from where I came from, and from where they came from, completely different worlds. But it was something to do with a principle that I got from what they did, which was integrity. Integrity and a standard of craft that really didn’t bow down to any kind of commerciality, and I really identified with that, and I adored it.
At the same time, it was very hard; it was very hard to sort of make my way and not be part of it, until The Last Waltz, and in some respects, I was very relieved with The Last Waltz, because it meant that there wasn’t a band that I wasn’t a part of anymore, you know? And I could just go on and be me, and it was all right. But at the same time, when The Last Waltz happened, it was a tragic thing, because as much as they may have reached the end of their journey, there were no more records. I couldn’t go to the store and buy a Band album, and have my life transformed by listening to it. And it’s been a long journey since then without their sort of guidance, because I always kind of looked up to them as older brothers in the music world.
But at the same time, they’ve always been there in spirit. And I go back, and I listen to old records all the time. In fact, most of the time I listen to old blues and old records by people like the Band. And I think it’s a long time since they were really honored and put together, and as it was last year with me and Cream, it’s a beautiful thing to have a reunion if we can, and get together and rejoice in the gift that we’ve been given, which is music. Tonight, I’m very happy to induct the Band into the Rock and Roll Hall of Fame.”
91 year old Ernest Borgnine shares his secret for longevity to Fox & Friends back in 2008. He’s 95 now, and still going strong. I guess we’ve got to hand it to him…
…a solo ambient piece improvised on the Adamovic Eric Czar Signature 7 bass guitar. Recorded live, straight into a computer from a pedal board with a looper pedal. Every sound you hear is bass guitar!
It’s been a while since a Turn It Up Tuesday episode has really warranted being turned up. Well, that’s about to change. Check out these 3 cuts from “Zed” whose debut album The Invitation is scheduled for release this Spring.
I’ve had some trouble being able to locate any information about them online. It appears there is another band out there that goes by the name Zed. The Myspace and Facebook pages I found for Zed are for a different band, and I haven’t been able to find a traditional website for them either.
(Edit/Update: See comments)
Maybe one of the band members subscribes to Google alerts for Zed, and will see this post and pay us a visit here. I’d love to hear from these guys and have them bring us up to speed with what they’re doing. This stuff rocks!
Yes, I know it’s a day late…but I couldn’t wait until next Tuesday to publish this.
Alabama Shakes is a band to watch this year. Their debut album Boys and Girls will be released this coming Tuesday, April 10th. It’s an impressive and refreshing offering, with an organic sound and a loose-tight vibe that’s reminiscent of classic Rolling Stones.
This one consistently turns me into a mouth-breather. Extremely captivating. I find myself at a loss to write anything that really does this piece justice. It’s like a hybrid mix of ambient music (which Eric does so well) and a more traditional instrumental piece.
Well, I guess there’s nothing really ”traditional” about music composed for and performed on 7-string basses. See, I told you I was at a loss for words. I’m not even making sense this morning.
Maybe one of you can give it a try in the comments section. Be sure to watch it all the way through – it’s a true work of art.
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